SARAH E. S. SINWELL
EDITED SPECIAL ISSUES
Sinwell, Sarah E. S. Guest Editor. Special Issue. “Reinvestigating Art House Exhibition.” The Projector: A Journal on Film, Media, and Culture 18:2 (Summer 2018).
https://www.theprojectorjournal.com/home-summer2018
Sinwell, Sarah E. S. Guest Editor. Special Issue. “Reinvestigating Art House Exhibition in an Era of Convergence.” The Projector: A Journal on Film, Media, and Culture 18:1 (Winter 2018).
PEER-REVIEWED JOURNAL ARTICLES
Sinwell, Sarah E. S. “Mapping the (Adolescent) Male Body: Queerness, Pedophilia, and Perversion in L.I.E. and Mysterious Skin.” Thymos: Journal of Boyhood Studies 7.2 (Fall 2013): 141-155.
https://www.berghahnjournals.com/view/journals/boyhood-studies/7/2/bhs070204.xml
Sinwell, Sarah E. S. “Excavating the Brick and Mortar: Reinvestigating the Art House in the Digital Age.” The Projector: A Journal on Film, Media, and Culture 18:1 (Winter 2018): 70-88.
Image via Sarah Sinwell.
Sinwell, Sarah E. S. “All About that Ace:
Representing Asexuality and Queer Identity in BoJack Horseman.”
Jump Cut: A Review of Contemporary Media 60 (Spring 2021).
https://www.ejumpcut.org/currentissue/Sinwell-BoJackHorseman/index.html
Sinwell, Sarah E. S. “Sex, Bugs, and Isabella Rossellini: The Making and Marketing of Green Porno.” Women’s Studies Quarterly 38.3-4 (Fall/Winter 2010): 118-137.
https://www.jstor.org/stable/20799369?seq=1
BOOK CHAPTERS IN
PEER-REVIEWED ANTHOLOGIES
“Let Ayo Have A Girlfriend: Resisting Black Lesbian Erasure on Twitter.”
In Afrofuturism in Black Panther: Gender, Identity, and the Re-Making of Blackness. Edited by Renee T. White and Karen A. Ritzenhoff. Lanham, MD: Lexington Books, 2021. 87-102.
https://rowman.com/ISBN/9781793623577
Image: Afrofuturism in Black Panther: Gender, Identity, and the Re-Making of Blackness cover.
“Fantasies and Fangirls: Gender and Sexuality in Robert Altman’s Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean.” In ReFocus: The Later Films and Legacy of Robert Altman. Edited by Lisa Dombrowski and Justin Wyatt. Edinburgh: Edinburgh University Press, 2021. 159-171.
https://edinburghuniversitypress.com/book-refocus-the-later-films-and-legacy-of-robert-altman.html
Image: ReFocus: The Later Films and Legacy of Robert Altman cover.
Sinwell, Sarah E. S. “From Star-Producer to Executive: Tom Cruise and/at United Artists (2006-2012).” In United Artists. Edited by Tino Balio, Peter Kramer, Gary Needham, and Yannis Tzioumakis. New York and London: Routledge, 2020. 270-286.
Image: United Artists cover.
Sinwell, Sarah E. S. “#MakeReyAsexual and #KeepJugheadAsexual: Asexuality, Queerness, and Representation on Twitter.” In Feminist and Queer Theory: An Intersectional and Transnational Reader. Edited by L. Ayu Saraswati and Barbara Shaw. Oxford: Oxford University Press, 2020. 104-109.
https://global.oup.com/ushe/product/feminist-and-queer-theory-9780190841799?cc=us&lang=en&
Image: Feminist and Queer Theory: An Intersectional and Transnational Reader cover.
Sinwell, Sarah E. S. “To Queer Things Up: Sexing the Self in the Queer Documentary Web Series.” In I Confess! Constructing the Sexual Self in the Internet Age. Edited by Thomas Waugh and Brandon Arroyo. Montreal: McGill Queen’s University Press, 2019. 423-435.
https://www.mqup.ca/i-confess--products-9780773559394.php
Image: I Confess! Constructing the Sexual Self in the Internet Age cover.
Sinwell, Sarah E. S. “Women Make Movies: Chicken and Egg Pictures, Gamechanger Films, and the Future of Female Independent Filmmaking.” In Indie Reframed: Women Filmmakers and Contemporary American Cinema. Edited by Linda Badley, Claire Perkins, and Michele Schreiber. Edinburgh: Edinburgh University Press, 2016. 23-35.
https://edinburghuniversitypress.com/book-indie-reframed.html
Image: Indie Reframed: Women Filmmakers and Contemporary American Cinema cover.
Sinwell, Sarah E. S. “Go Digital or Go Dark: Crowdfunding, Independent Financing and Art House Exhibition on Kickstarter.” In A Companion to American Indie Film. Edited by Geoff King. Malden and Oxford: Wiley-Blackwell Publishing, 2017. 452-468.
https://www.wiley.com/en-us/A+Companion+to+American+Indie+Film-p-9781118758328
Image: A Companion to American Indie Film cover.
Sinwell, Sarah E. S. “Written on the Child: Race, Class, Gender, and Sexuality in Gummo.” In Lost and Othered Children in Contemporary Cinema. Lanham, MD: Lexington Books, 2012. 107-122.
https://rowman.com/ISBN/9780739190746/Lost-and-Othered-Children-in-Contemporary-Cinema
Image: Lost and Othered Children in Contemporary Cinema cover.
Sinwell, Sarah E. S. “Aliens and Asexuality: Media Representation, Queerness and Asexual Visibility.” In Asexualities: Feminist and Queer Perspectives. New York and London: Routledge, 2014. 162-173.
Image: Asexualities: Feminist and Queer Perspectives cover.
Sinwell, Sarah E. S. “Is Malkovich Malkovich? Sexual Identity on a String.” In Film and Sexual Politics. Edited by Kylo Patrick Hart. Cambridge: Cambridge Scholarly Press, 2006. 195-207.
https://www.cambridgescholars.com/film-and-sexual-politics-19
Image: Film and Sexual Politics cover.
PUBLISHED INTERVIEWS
Sinwell, Sarah E. S. Interview with Cheryl Dunye. Independent Female Filmmakers: A Chronicle Through Interviews, Profiles and Manifestos. Edited by Michele Meek. New York and London: Routledge, 2019. 102-116.
Image Independent Female Filmmakers: A Chronicle Through Interviews, Profiles and Manifestos cover.
ADDITIONAL PUBLICATIONS
Sinwell, Sarah E. S. "Festival of Disruption: A Report from the 2020 Sundance Film Festival." Flow: A Critical Forum on Media and Culture. February 11, 2020.
https://www.flowjournal.org/2020/02/festival-of-disruption/
Image via Sarah Sinwell.
Sinwell, Sarah E. S. "The Netflix Experience: Immediate and Unlimited Television Viewing as User Fantasy." In Media Res. December 6, 2013.
Sinwell, Sarah E. S. “The Art of Seduction: Film Spectatorship in the Age of the Cell Phone.” In Media Res. December 13, 2010.
http://mediacommons.org/imr/2010/12/08/art-seduction-film-spectatorship-age-cell-phone